Tracy and I were living in a one-story fourplex on a dead-end street in Portland, OR. As a freelance editor, I spent a lot of time in that house. At that time, cocktails were barely on my radar. While I did enjoy the occasional Manhattan or dram of bourbon, beer was my beverage of choice. But I had always been interested in mixing drinks, and when the occasion arose, I usually wielded the shaker. So when my twenty-seventh birthday rolled around, I was sort of a blank slate just waiting for the right decoration. Anything could have happened. In retrospect, it seems obvious that the next big thing was just around the corner, though I never would have guessed it. But while I was busy tearing wrapping paper, many spheres of influence were converging.
Awaiting its turn alongside a new set of bar tools, consequently, was the Art of the Bar. It's funny, but not entirely surprising, that it all started with a book. Little did I know that this particular cocktail book would not only drastically alter my drinking habits, but also the entire landscape of my life. To this day I remember flipping through its glossy pages lined with beautiful cocktails, both new and old. Now it was probably the stylistic design that spoke loudest to me, all of those gorgeous garnishes dangling off the edges of beautiful stemware. I have always had an eye for great stems. But the effect of that book were instantaneous. I told Tracy right then and there that I was going to make each and every one of them. Though the years have passed and I still love looking through its pages, I never did make it to every cocktail. As my interest in cocktails grew, both newly released cocktail books and vintage bar books stole my attentions. Though I hate to admit it, more often than not, it sits on a book shelf waiting for me to get the urge to flip through its pages again.
Recently, while searching for cocktails with both sherry and tequila, the Internet led me to the Choke Artist. Though the name sounded vaguely familiar, my interest was piqued as the drink brought Cynar into the mix with the tequila and sherry that held my interest. I quickly discovered where I had run into this libation before: the Choke Artist is the creation of Jeffrey Hollinger and Rob Schwartz and is included in the Art of the Bar. It was one of the ones that had I had missed all those years ago. But then again, it wouldn't have even been on my radar back then. I hadn't yet acquired a taste for tequila and it would still have been a couple of years before I truly discovered sherry. I am sure I didn't even know what Cynar was. All that has changed of course. This drink is definitely one to try.
Choke Artist (as adapted)
1 1/2 ounces anejo tequila
1 ounce Cynar
3/4 ounce manzanilla sherry
2 dashes Regan's orange bitters
Stir ingredients in an ice-filled mixing glass. Strain into a chilled cocktail glass.
Notes on Ingredients: I used Don Julio anejo tequila, and Barbadillo manzanilla sherry.
Ah, the Choke Artist. Oddly enough, this is also an origin drink for me. It showed up on the Zig Zag menu at some point in my blissfully drunken cocktail discovery period, when I could be found in Murray's proximity two or three times a week for months on end; that year I made a point to sample every cocktail on the menu (and of course, many, many more). This was the first cocktail I ever had with sherry in it, which, unfortunately, did not turn out well. Somehow, as with many sherry drinks, all I tasted was soy sauce notes. Of course, I have since discovered the joys of some sherry drinks, so I may have to give this one another go.
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