Showing posts with label curacao. Show all posts
Showing posts with label curacao. Show all posts

4.23.2016

Reimagining the Lucien Gaudin Cocktail

I remember the first time I ran across the Lucien Gaudin cocktail. It was years ago now, when I first acquired my copy of Vintage Spirits and Forgotten Cocktails. I was newly obsessed with Campari drinks--not that this has changed over time--and this one seemed like one that I needed to try. I did, but the cocktail failed to make an impression. It was fine, just not memorable.

When people talk about the Lucien Gaudin cocktail, they usually focus on the man, Lucien Gaudin. Yes, he was a fencer, but not just your average fencer. He dominated the sport and is still tied as the record holder for best Olympics performance in French history for his performance in the 1920, '24, 1and '28 Olympics. While all of this is incredibly impressive and worthy of remembrance, I would wager that the reason why most cocktail writers focus so much attention on the man and not the cocktail is because the drink fails to impress on its own merits.

The Lucien Gaudin cocktail was first printed in an obscure French drinks manual, Cocktails des Paris, published in 1929. Its creation is credited to a man named Charlie of Cheval-Pie, who won the cup of honor for the drink in 1929. A couple tomes after that remember it, but not many. Until Ted Haigh brought it back, this drink seemed destined to be forgotten.

I have revisited the drink several times over the years. I have never been able to crack the mystery of why this drink has come back from the depths of cocktail history.  I have tried making it with different products to find that perfect harmony. I have swapped out the Campari for Luxardo bitter. I have utilized myriad gins and vermouth. I have even used different curacaos instead of Cointreau and changed the proportions. Nothing seemed to matter. The drink just falls flat for me, its flavors muddied. Recently I saw a variation online that made me want to revisit the Lucien Gaudin. Boy, was I glad that I did.

Lucien Gaudin (variation by Ken Gray, NYC)

1 1/2 ounces Old Tom Gin
1/2 ounce Luxardo bitter
1/2 ounce Giffard Curacao
1/2 ounce cocchi americano

Stir ingredients and strain into a chilled cocktail glass.

The changes aren't really that monumental--a softer gin, and a bittersweet fortified wine. These two new ingredients alter the drink from forgettable to delicious. Instead of straying into the hard to conquer land of dry and herbal, the roundness of the combination of tom gin and cocchi makes the the Campari and orange liqueur pop. The end result is balanced and tasty--a drink worthy of remembering.

3.19.2013

The Martinez in Depth: Byron's Sweet Martinez


This past week, I have been pondering the changes my tastes have undergone over the last five years as I grew more interested in and moderately obsessed with the world and history of cocktails. Where once I couldn't stomach the "astringency" of gin, the floral nature of scotch, or even "menthol" flavors of tequila, in the intervening years, I have learned to love all three. I even successfully conquered my revulsion for all things anise. But these changes did not happen overnight. While perhaps the most important factor may have been having an open mind, certainly some cocktails or experiences played greater roles than others. The Vesper may have been the first gin-based cocktail that I actually enjoyed, that in and of itself could have been a fluke. After all, one singular experience does not alter one's taste from yuck to yum.

The gin drink that kept me coming back for more is the Martinez--that dusty old cocktail often included on menus today despite its checkered past. I wish I had some great moment of discovery, some memory where every detail resonated, but I cannot place either the circumstances or the location of my first sip. Two winters ago it was my go-to cocktail, and I could often be found starting the evening with a Martinez. It seemed like I drank one at every cocktail establishment I visited over the course of many months. Some were dryer, more modern representations. Others were richer, bearing the stamp of Carpano Antica in generous amounts. I have had every garnish available, from orange twists to olive ,or even nothing at all. I have had historically accurate renditions that harken back to Jerry Thomas's 1887 recipe, where the sweet vermouth carries the bulk of the volume. And I even consumed a Martinez that was "tossed"--where the ingredients are aerated as the bartender essentially pours the mixture back and forth from tin to tin blue-blazer style. When it comes to the proportions, choice of ingredients, or even method, the defining feature of any given Martinez depends almost entirely on the bartender's whim. It seems it has always been this way. But after considering all of these experiences, I had to conclude that my current love of gin is inextricably linked to my love of this drink.

History
Before vermouth really took off, almost every cocktail was directly related to the Old Fashioned--some form of spirit, sweetening agent, bitters, and ice. As this drink and the burgeoning cocktail market evolved, liqueurs and flavored syrups crept into the glass. This led to such creations as the Japanese Cocktail and the Fancy Brandy Cocktail. By the 1880s, absinthe had fomented its place as a key ingredient in the Sazerac, another Old Fashioned variation, and had even impacted the original cocktail recipe, as evidenced by its inclusion in the Improved Whiskey Cocktail, which first appeared in print in Jerry Thomas's 1887 reprint of the Bar-Tender's Guide. Other liqueurs, such as maraschino, that were widely used in punches were also making their way into the cocktail vernacular. All in all, the evolution of the cocktail seemed fairly straightforward.

Everything changed when Italian vermouth began making its way into the country. The popularity of vermouth-based cocktails is evidenced by their inclusion in O.H. Byron's Modern Bartender's Guide (1884), Jerry Thomas's 1887 edition of the Bar-Tender's Guide, and George Kappeler's Modern American Drinks (1895). Americans quickly became infatuated with the various ways this aromatized, fortified wine interacted with their favorite spirits. The world of cocktails would never be the same.

While the Martini and Manhattan became two of the most famous cocktails ever concocted, the Martinez's chances stalled as popular trends and industrial innovations shifted tastes away. Eventually history would only remember its recipe as a footnote in one of the Martini's various origin stories--that is, until cocktail historians and bartenders resurrected it. Though the exact details are lost to history, the Martinez's birth is undoubtedly linked with the experimentation that followed Italian vermouth's explosion in American markets.

Like its more famous cousins, the Martinez did not begin with a recognized recipe. Early vermouth-based cocktails were highly dependant on the whim of the bartender. In the late nineteenth century, even published recipes for a Manhattan allowed for differing ratios between the rye and sweet vermouth as well as the amount and type of bitters. Many authors even called for the inclusion of a sweetening agent, such as gum syrup or orange curacao. In these early days the Martinez's recipe was very obviously linked to the Manhattan. In fact often the two cocktails were identical except for the base spirit.

O.H. Byron and the Missing Maraschino
The Martinez first showed up in print in 1884 in O.H. Byron's Modern Bartender's Guide. Nestled up underneath the entry for the Manhattan, it is easy to overlook. While the Manhattan easily takes up half the page with its dry and sweet variations. The Martinez's recipe is succinct, involving only one sentence: "Same as Manhattan, only you substitute gin for whisky." Because early beverage guides were more heavily reliant on drink styles, such as a daisy or a smash, as opposed to individualized cocktail recipes, this cross-referencing was not uncommon. However, no other cocktail is dealt with in this manner. It is easy to understand how a Gin Crusta related to a Brandy Crusta. In those cases, too, the drinks would be practically identical down to the elaborate garnish, but all this started to change with vermouth-based cocktails. While the Martinez is simply a Gin Manhattan, the fact that it does have its own name and internal variances based on vermouth style sets it apart.

O.H. Byron's Martinez

2 dashes Curacoa [1/4 ounce]
2 dashes Angostura bitters
1/2 wine-glass gin [1 ounce]
1/2 wine-glass Italian vermouth [1 ounce]
Fine ice; stir well and strain into a cocktail glass
[garnish with an orange twist]

Notes on Ingredients: I used Ransom Old Tom Gin, Pierre Ferrand Dry Curacao, and Angostura Bitters. As I only had Dolin sweet vermouth on hand, I bumped up the flavor profile with Bonal in a 2:1 ratio.

Even though this recipe is the first one in print, if you walk into a craft cocktail bar today and order a Martinez, this is not what you will receive. In most circumstances you will receive something very similar. While both cocktails rely heavily on their large proportions of gin and sweet vermouth, one will include a splash of maraschino liqueur instead of the other's curacao. For whatever reason, the Martinez that has been revitalized is not the one from Byron's pages. History has, instead, taken a shining to Jerry Thomas's version.

Curacao had been used in cocktails for years before maraschino liqueur became a popular cocktail ingredient. While more than a handful of Byron's recipes call for maraschino liqueur, the Martinez isn't one of them. A curious side note is that two versions of the Fancy Brandy Cocktail are included, one containing curacao, the other maraschino. Perhaps it was just a question of time before maraschino was substituted for the curacao in a Martinez.

As written, the drink is incredibly tasty. While the wonderful interaction between the herbaceous gin and the maraschino's funky cherry and almond flavors are definitely missing, there is something so wonderfully simple about the addition of the orange notes.

11.17.2010

Alamagoozlum

Halloween is my favorite time of year. Every October Tracy and I indulge in as much spooky fun as we can, and that usually means a full month of horror movies, an annual pumpkin-carving party with friends, and some sort of masquerade event. The month then culminates in an all-night horror movie marathon on Halloween night. This year we also celebrated the bounty of Fall vegetables with butternut squash & pear soup, homemade rolls, and pumpkin bread for dessert. But enough about food. For drinks, I always pick out a topical cocktail that matches our Halloween state of mind. In the past we have had Corpse Reviver No. 2s or Zombies, but this year I couldn't pass up the Alamagoozlum. Even the name evokes Halloween—perhaps it could even be some magician's curse word.

I read about the Alamagoozlum on Sloshed! last year around Halloween. It also can be found among the many gems in Ted Haigh's Vintage Spirits and Forgotten Cocktails. As far as I can tell, the original transcriber of this fabulous libation is the one and only Charles Baker. This drink is downright zany, calling for many obscure, powerful ingredients and allowing them to cohabitate in one confined area, but the composition is truly delightful, like pie in a glass. And check out those bitters. If I had remembered this drink this summer it could have fit into my series of posts on bitters! But, no regrets—this drink fits well with my Halloween theme and the flavors also highlight the warm spice flavors of Autumn.

Alamagoozlum

2 ounces genever
2 ounces water
1 1/2 ounces Jamaican rum
1 1/2 ounces yellow or green chartreuse
1 1/2 ounces simple syrup
1/2 ounce orange curacao
1/2 ounce Angostura bitters
1/2 egg white 

Dry shake all ingredients. Add ice and shake long and hard. Strain into a chilled cocktail glass. Note: this makes 2 large or 3 small cocktails.

Note on Ingredients: I used the Boomsma Junge genever though the Bols genever has a stronger flavor and works really well in this drink. Also, I chose green chartreuse over the mellow yellow, and Appleton served as my Jamaican rum. I also substituted triple sec for the curacao.

First of all I can't help but remarking on the color—that deep brownish red really lets you know there are a ton of bitters hanging out in your glass. Also, considering that the recipe only called for half an egg white for two drinks, there was still quite a bit of foam. The bitters are partially responsible; both the Trinidad Sour and the Alabazam have quite a bit of foam and neither one includes eggs.  The herbal chartreuse and the cloves and cinnamon of the Angostura were easily detectable in the aroma. And yes, that is exactly when you realize just how thirsty you are. As I descended through the froth, I first tasted the maltiness of the genever mingling with the spiciness of the bitters. This drink had a very rich mouth feel and was a bit sweet, though nowhere near cloying. As the drink warmed up, the chartreuse dominated each sip and lingered long after, and the juniper notes seemed to spring to life. And, though a Zombie might seem more topical, it was the perfect drink to accompany Dawn of the Dead.

8.17.2010

Ode to Bitters: Stormy Mai-Tai

I have emptied three bottles of Angostura bitters during this summer alone! We once had a bottle of Angostura last us a couple of years when we lived in NYC. Now that we drink so many classic cocktails, we definitely go through Angostura faster, but it can still take a year to get through a bottle. Partially that is due to the sheer number of bitters that we own—so many options. On Saturday night, as I was collecting ingredients, I noticed that my bitters bottle was only half full. So, off I went on an impromptu jaunt to the local market for bitters. Tracy didn't even think a little market would have them. But there they were next to the Rose's Lime and bottled margarita mix.I think I am the only person who brings a photo ID to buy bitters. But since Angostura has a higher proof than most vodkas, you never know. Of course most people don't realize this.  Alas, the cashier didn't either and I didn't get carded.

Stormy Mai-Tai

1 1/2 ounce Angostura bitters
3/4 ounce orgeat syrup
1/4 ounce curacao
1 ounce lime juice

Preshake. Pour in to a double rocks glass and top with crushed ice. Swizzle lightly. Float light rum. Garnish with a mint sprig.

Notes on Ingredients: Plan ahead: if you are making two drinks you will use 3/4 of a bottle of Angostura. I used a 1/2-ounce float of Cruzan white rum. As we had no mint, I skipped it. Also I  substituted triple sec for the curacao.

Of all the ingredients, the rum is the most readily detectable when nosing this embittered tipple. This makes sense since it was right under my nose, being a float after all. It makes a very subtle clear rim that contrasts with the bright rusty redness underneath, though you can't tell in the picture. The smell of bitters was also apparent. But then again, I would be surprised if they weren't detectable. When sipping I first tasted the light rum, the nice lightness before falling through the citrus into the depths of cinnamon, allspice, cloves. Each sip began with the brightness of citrus coupled with a hint of almond. The end was equally the same: the complex, spicy bitters, with their unique dryness, though here for the first time, a sort of sharpness that wasn't at all unpleasant. The complexity definitely meant that this was a drink to be sipped. Weighing in at around 89 proof, the Angostura worked well as a base spirit over crushed ice. The higher proof means that Angostura can stand up to the dilution better than a lower proof spirit would. And true to form, this drink retained its strong flavor and depth even as the night wore on and the ice melted. (I am sure that the extreme flavor of the bitters contributed to this as much as the proof.) All in all this drink was very refreshing and complex with a lot of substance in each sip. It completely highlights what a heavily bittered cocktail is all about.

Now that we are at the end of our tribute to bitters, we must have a recap. What have we learned, besides the fact that heavily bittered cocktails are yummy? One thing we noticed was that heavily bittered cocktails have a unique texture. They are smoother and thicker than most cocktails but in a totally new way. Egg whites or jam when added to a cocktail also create a smooth, thick texture, but the mouth feel of a heavily bittered cocktail is quite different. These cocktails are not velvety smooth, and luscious, but instead they start off smooth and thick, and then, because of the bitters, they immediately become dry and astringent, like when you drink a wine that has a lot of tannins. These cocktails are very complex and the flavors are layered. By using such a hefty amount in an environment tempered with water, citrus, and a sweetener, the full taste of the bitters can really be appreciated. We also noted that all of these cocktails were quite foamy, as if half of an egg white had been added. Conclusions aside, what fun we have had pushing our expectations and boundaries and tasting something new and different. For me, at least, that is part of the joy of drinking cocktails.